Backfill · 2024
#91 of 363Criterion Channel
Editorial: A warm-lit living room scene with a laptop screen showing the Criterion Channel interface, a curated collection of classic film thumbnails visible on the display.
When the semester gets heavy, I default to streaming whatever the algorithm suggests. The Criterion Channel is for when I actually want to choose. Collections are organized by director, theme, or era instead of by what's trending. Scrolling through feels more like browsing a film library than a content feed. It makes me hopeful about media consumption because it proves a market still exists for slow, intentional watching. The player interface is minimal. No autoplay, no pop-up suggestions interrupting the credits. I can actually sit through an ending without being shoved toward the next thing. Finding a 1960s Japanese film I never would have searched for and watching it on a Tuesday night feels like exploration in a way Netflix rarely provides. Monthly cost is lower than most streaming services. The catalog is smaller, which somehow makes it easier to pick something. I don't use it every day, but when I do it changes how I think about what counts as entertainment.