
Wearable Design: Redesigned Uni-sex Symphony Orchestra Jacket
In symphony orchestras, concert dress has not changed essentially since the
 days of Beethoven. For centuries, musicians have been donning constricting,
 cumbersome, and extremely hot black tails, all in the name of professionalism
 and tradition. The New York times noted that although the powdered wigs had
 left years ago, much of the rest of the men’s orchestral attire remains the
 same.
Women, on the other hand, have very different dress codes requirements since
 they were not openly accepted by orchestra management until the 1900s. In fact,
 the Vienna Philharmonic did not vote to include women musicians until 1997.
 Women’s attire, largely, is simply required to be concert black. This can mean
 black long sleeve blouses, slacks, long skirts and stockings, and truly
 anything that falls under what one might consider modest, black, and
 presentable. This gives women a lot of leeway in terms of breathability and mobility,
 especially when it comes to less layers. On the down side, many women look
 woefully underdressed compared to their tuxedo and tails donning male
 counterparts. This seems against the equality that a collaborative musical project
 should visually illustrate: think Coco Chanel’s women’s suit post- World War I,
 meant to give women the same professionalism and power as their military
 husbands. How can both men and women wear similar uniforms, but without the
 downfalls of looking and feeling stuffy?
In 2013, the National Youth Orchestra of the United States of America, in
 partnership with Macy’s and designer Fred Bernstein, significantly improved orchestral
 attire for the modern performer. Both men and women received jackets that kept
 the professional image but added comfort and mobility. These black satin
 blazers feature in-folding, concealed flaps in the back-shoulder seam that expand
 when the arm extends, allowing breathability and motion. Musicians could now
 experience the desired range of motion and ventilation under bright stage
 lights, while maintaining an aesthetic sharpness. Looking at the orchestra
 together, the audience sees modern-cut sleek satin forms on each of the
 musicians, and the performers can go through an athletic hour-long symphony
 without sweating through their clothes or feeling constrained. The jacket design
 of the NYO-USA was truly a big step forward for symphony orchestras both in terms
 of equality and sensibility.
Sources:
http://www.gurjotnewyork.com/blog/the-history-of-the-suit-coco-chanel-and-the-first-womens-suit/
https://www.nytimes.com/2015/08/19/arts/music/taking-the-starch-out-of-orchestra-attire.html

 
  
 