Backfill · 2025
#209 of 383Community Radio Livestream
Press shot: small community radio station studio visible through a window, with a volunteer DJ wearing headphones behind a microphone, vinyl records and CD cases stacked on the desk.
A community radio station in the town next to campus has been broadcasting since 1978 and last year they added a livestream that lets me listen from my dorm room. Difference between this and every podcast or playlist I have tried is that the people on the air are choosing what to play right now, in this moment, reacting to the weather and the news and their own mood. That liveness makes the listening experience feel like a relationship rather than a transaction. Volunteer DJs run the station, mostly locals who range from retired professors to high school students. Programming quality swings wildly from a 70-year-old man playing Serbian folk music for 2 hours to a teenager running a punk show with commentary that is barely audible over the feedback. I keep coming back to it because the unpredictability is the point. Gaps between songs when you hear the DJ shuffling papers or clearing their throat or saying "hold on. Let me find this" are moments of genuine human presence that produced media has trained out of existence. Broadcast signal covers about a 20-mile radius and the livestream has maybe 150 concurrent listeners on a good day. Smallness is part of what makes it feel real, because the DJs are not performing for an audience, they are sharing what they love with whoever happens to be listening. Twice a year, pledge drives are awkward and earnest and sometimes funny, with callers phoning in to dedicate songs to people who may or may not be listening. I donated $25 during the winter drive because the station felt like a public good worth paying for. They sent me a bumper sticker that I put on my water bottle. Livestream audio quality isn't great, compressed and sometimes clipping. Imperfection is consistent with everything else about the station, which has always prioritized access and authenticity over production value. When I am studying late at night and the overnight DJ is playing ambient music with occasional spoken word interludes, the radio becomes a companion in a way that Spotify's "focus" playlists never manage. Programming schedule is printed on a single sheet of paper tacked to the bulletin board outside the town library. A photo of that schedule on my phone, which I check before tuning in, feels like a throwback to a time when listening required intentionality. Serving a need that no algorithm can replicate, the station survives because it surprises you with someone else's taste without optimizing for engagement.