Backfill · 2022
#353 of 357Fujifilm X100V Camera
Editorial: A Fujifilm X100V in silver on a wooden café table beside a coffee cup, showing the top-plate dials and the fixed 23mm lens, with soft window light.
Fujifilm X100V has become the camera that photographers argue about online because it occupies a specific niche that no other camera fills: a compact body with a fixed 23mm lens, a hybrid optical-electronic viewfinder. Fuji's film simulation modes that produce colors straight out of the camera that look like they were shot on Kodak Portra or Fuji Velvia. Fixed lens is the controversial part because most cameras at this price, around $1,400, offer interchangeable lenses. Choosing a camera that only does one focal length is a commitment to a particular way of seeing. A 23mm f/2 translates to a 35mm equivalent field of view, wide enough for street photography and environmental portraits but not so wide that it distorts faces. Film simulations are where the camera's reputation lives. Classic Neg simulation in particular has spawned an entire aesthetic on social media, warm shadows with desaturated highlights that look film-derived without any post-processing. Analog dials on the top plate for shutter speed, aperture, and exposure compensation mean the camera can be set up without turning on the screen. That tactile control scheme rewards photographers who want to think in mechanical terms. The X100V in coffee shops and on the street more than any other dedicated camera. Adoption by non-photographers who just want better photos than their phone produces suggests the camera is succeeding at a broader appeal than Fuji probably intended. All-metal build references rangefinder cameras from the 1960s without being a costume, the proportions are modern and the grip is minimal. The limitation of the fixed lens teaches restraint, forcing the photographer to move rather than zoom, and that constraint improves composition over time.